Who: Paul Atreides, Ortus Nigenad, Mercymorn the First and you What: January catch-all When: January Where: Various Content warnings: Body transformation, memory alteration
He says it like a joke, grin mercury-bright, and the light of the bar rakes blue shadows across his irises.
"And I have a place. It's not far from here, by Lantern, and it's secure enough." He's been left the keys to a veritable kingdom of boltholes and workspaces, and it's been reassuring to know that in another life, he would have kept up such good habits.
"You're clever yourself." He takes another sip of his drink, marvelling at a vessel not made to drink its own condensation. "I do know the other you. I'm fond of her. For her sake, I'd like to think of you as her kin...and for her sake, I'll tell you that you're only half right. I don't consider myself on the outside of anything."
He sets his elbows on the table and leans forward, at ease, centred in place.
"Invite him out to join us. He'll come if it's you." His smile closes, hiding his teeth. "Should we tell him I'm here, or let it be a surprise?"
He's not on the outside of things? How curious. The light dancing in his eyes makes Apollonia smile in a way that would be very familiar only to people who knew who she used to be. (This "Anna" seems to have been well-liked around here. Quaint.)
"I think it would be best to leave that as an exercise for the reader," she says, at least on the subject of informing her God that she will not be alone. "I would like to see the man sweat before we go forward with anything. But... one problem," she says, and holds up a finger.
With her other hand, she drinks her entire glass without showing herself to feel anything. She glugs it inelegantly—another unintentional echo, perhaps. And she rests her glass on the table again, and her hair covers her forehead in wisps. And there's a god-given smirk on her face now, like she's comfortable enough to loosen up. Like she's ready to leave the pretenses where they are.
"I will need to be very drunk to make that invitation. We have work to do."
His laughter is younger than he is, now, bubbling up out of a clean, deep well. He runs his hand over his mouth as it comes, like he might catch it between his fingers, and then helpfully refills her emptied glass.
(What would he have thought of this, all those years and days ago, when he was young? Was this something he would have wanted? He thinks he would have: to be called in, counted among the adults. He was always so hungry for that.
But she never looked at him like he was all the way a child. She beheld him on a threshold. That mattered, once. Perhaps it still matters enough now.)
"Let us make it light work, then," he says, warm and sunny, "Do you remember how to play 'Never Have I Ever'? I could remind you, if you don't."
"I remember the game well," she says, and it isn't entirely a lie. It's been some time since she found reason to play it, but there were nights with the other Saints—with Kriemhild, before she had left, and there's a pang where her heart should be—where they had played it. Making accusations, always pointed, always direct, always ways to get one specific Saint to drink more than the others, until they all decided they had had enough and shook it off.
She smiles like she believes herself to be the clever one now, and she draws her refilled glass closer to her with two fingers. "I do hope it's not too difficult for two people like us, Paul. With all the years we have behind us, it may be hard to find something we've never done." She leans forward, and the entire posture of this aberration against life and death at once shaves a myriad off her appearance. Her elbow rests on the table, and she tilts her head curiously, like she thinks she has something fun and breezy to start this game off with.
A ripple passes over Paul's good cheer, a curiously translucent refraction of his expression. It's almost, and not quite, surprise.
Then he laughs again, a bubble popping at the water's surface, and raises his glass to her in a toast before he downs it in a singular swallow. The ritual of the pour follows, his mouth pressing into a amused seam to hold in any further laughter - or, Heavens forbid, anything that might transgress over the line into a giggle.
"I wish you could meet my sister," he says, conversationally, mirroring her lean, "She'd have loved that...and speaking of - never have I ever communed with my ancestors."
He seems to understand much about her to begin with. That shouldn't be a surprise, and yet he speaks the word "sister" and she feels her shoulders tighten. It's a simple word that should matter as much as any other six-letter word shared between them, but it flavors the drink acidic as she pours the glass down her throat. The sneaking humor is gone from her face, her tone when she next speaks.
"Communion is a word with such a liberal concept behind it," she says. "But any way you use it is likely true. My ancestors are all the memory I would receive of the way the world used to be." The taste of the alcohol lingers on her lips under the tip of her tongue. Her green eyes nearly flicker as she takes her turn. "With that cheerful note in mind, never have I ever belonged among my peers."
Regret colours in Muad'Dib's expression when the fickle amusement vanishes from Apollonia's face. He drops his gaze in respect, eyes shaded by long, dark lashes as he refills her glass without the flourish of the last round.
Family is often a difficult subject. Hardly anyone should know that better than him.
At this prompting, he rotates his glass between his fingers, sending a ghostly refraction of light this way and that over the back of his hand. The liquor stays undrunk.
"It's challenging, isn't it? To be an oddity of oddities." His attention slips back up to her, a thinned, tentative smile back in place. "I suppose it does depend on the peers. I've met a few of yours. I know we hardly know each other, but...don't think me too forward for saying I prefer you."
In all her jagged, human ugliness, with her raw and horrible need that dragged her out to meet a strange conspirator in a dead end bar at the end of someone else's world. She is a Lyctor, which means she is a monster, but she is, he thinks, the sort of monster he likes.
"Never have I ever..." He taps the side of his glass, one short, two long. "Never have I ever been certain I was doing the right thing."
"I prefer me, as well," she says, noticing what Paul does not do. The idea that someone like him could never truly fit in is bizarre to her; he seems so complete, so whole. So together and sure of himself in a way that Apollonia could never truly be. She is a monster, and she is a Lyctor, and she still feels too human to be either. So she will seek refuge in unearned ego.
"I have no patience for the way they choose to conduct business, with their obsequious little lies pulling paper-thin covers over all manner of schemes to overthrow our Emperor, or whatever," she says, dismissing any true purpose with a wave of her hand. "I've only ever appreciated one of His remaining Saints for how unerringly direct she is. It is so refreshing not to have to wonder where I stand with someone for once."
She continues, her free hand making idle gestures in the air with her elbow resting on the table. With luck, it will distract from how un-drunk her latest glass is. (With a moment's thought to the words pouring from her own lips, she may realize it's not necessary.)
"And here I sit now, feeling much the same with you. I don't have to wonder if, in the end of this all, you're going to 'betray me', in whatever sense that matters. I don't have to wonder about whether you look at me like a true person or just a curiosity that should barely exist. I don't worry about much of anything, looking at you." There's a softness creeping in at the end of that sentence, like words that belong to a different part of Apollonia entirely.
"Never have I ever," she says slowly, smiling without teeth, "Looked forward to an evening this much before."
Muad'Dib has been a source of comfort and surety for untold millions. His sternly benevolent face abides over his people from countless illustrations and monuments, rendered in paint and mosaic and light and columns of obsidian, his features altered to suit the style of each world that lies under his guardianship so that his people might better know him. He is the base of the pillar on which the galaxy stands, and under his auspice, what is there to fear?
Apollonia doesn't worry looking at him.
His hand is flat on the table. He feels its texture, the imperfections that mark it from construction and from wear. The world spins fast beneath them, but they never notice, hurtling with it through the dark. He knows the names of each of the muscles that are holding his eyes wide and his lungs still, but none of them are coming when he thinks of it.
"Now," he says, gently, "How am I supposed to come up with anything after that?"
The liquor hardly burns going down. This much, this quickly, affects even him. It's a creeping warmth in his fingertips, an almost uncomfortable fullness in his chest, the spirits calling up a spirit of his own.
"That's a good game. Do you want to play another?" Before he says anything else that changes her mind, or how she looks at him - before she says anything that changes his. "You pick, this time."
Apollonia sees that the game has reached an end and downs her drink as well, once the rules have evaporated. Once there's nothing else going on here. She knows it will take more for her to become properly wasted, but she has no intention of wasting Paul's time any further—and she must admit to herself, their entire reason for being here is growing more interesting the longer they delay.
So she answers his question in as sly a manner as she can. Her hair still mats slightly to her forehead, the alcohol filling her with a barely noticeable heat. She wipes her brow clean and reaches for her, or for someone's, omni with her other hand, then lays it flat on the table. "I know the perfect game, but we will need a third. Let's not take any longer, hm?"
Using the hard light projection of the keyboard, she types out a message to her God that retains its gravitas largely by the grace of autocorrect. My name is Apollonia, as it has ever been. Come to the bar, my Lord. I want to talk. And she gives Paul a chance to read it over; if he approves, she'll send it out immediately.
Paul leans over to inspect Apollonia's missive, his face flushed, eyes mildly unfocused. It's been a long time since he let himself become intoxicated outside of the sietch. It's been a long time since he let himself go back to the sietch, the aching relief of a home-made-a-home, the companionship of people as close to him as any human being can come without scraping their nails across the face of the divine.
He can smell her. It's not a sense humans often think about, let alone seek to hone, but he notices it now. She smells like the closed tunnels under stone. She smells like the end of a long stretch hunting, the suit-seals broken, the same-similiar mist of mingled moist breath.
"Perfect," he says, laughing, "'Come to the bar, My Lord'. Can you imagine his face?"
He slides the Omni back to her, lets her hit send, and then, without an ounce of decorum or sense, reaches over the table to bump her shoulder with his closed fist.
"Another drink?" He slumps back, hard enough to make a noise, and he's already pouring.
Well, that's all the confirmation she needs; Apollonia sends the message, and John will receive it from the username grollschwert, and it will all go perfectly fine. She nods, then, feeling quite casual as she slides her glass over Paul's way.
And it doesn't take more than a couple seconds afterward to mirror the vibe of her companion's pose, if not the pose itself directly. It's relaxed in a way she doesn't allow herself; it's exposed. Her arms aren't crossing over her chest like this. Her brain has calmed as much as she ever allows it, the alcohol as Lethe to the constant chaos of memory. It's dangerous to be like this for too long, she knows, lest someone get the better of her. Lest she lose herself. But in the moment, she truly is not worried about Paul. She is not worried about her God. This will be... cathartic.
"We," she says with a wry look, "Are fucking under attack." There's the echo of something familiar inside Apollonia at that, but this time it's not a mindless reference but one of the many, many phrases considered sacred within the Nine Houses. (She was not there when they were codified, and yet she has lived with them for so long that it would be forgiven to think she had been.)
"I doubt He'll keep us waiting long," she says after another moment. "Now is the time for cold feet."
He tops Apollonia off and returns her glass, his smile slanted into loose, easy amusement. When she announces they're under attack, his stifled laughter comes with a snort, and he covers his mouth with the back of his hand.
"And walk out on you here? Banish the thought. Exile it - all the way to Tupile." He hitches himself up, palms braced on the table's edge. "I'd tell you that joke would be funny if you knew what Tupile was, but I'd hate to lie to you now."
This is what he's wanted, pent up inside his own mythology. Ease. Amicability. A world of people who don't know him as their messiah, who only see a man with dark, messy hair and a smile that he can allow to cant askew. He's as drunk on it as liquor, or even more so.
How could anyone not want this, once they'd tasted it? How could anyone let it slip from their fingers twice?
"But," he says, collecting himself, "If you've changed your mind..."
(Possibilities ripple. A left-hand path, one sidestep away, diffusing into a myriad of unknowns, but glimpses - startled black eyes, the coronal ring - warm brown hand curled tentatively around a clear glass - apprehension fading from the body, disbelief in the smile - a third player, a different game.)
"Not on anyone's life," she says, taking her glass and drinking more casually from it. "I've come this far. Backing down now, when all I've ever wanted is finally close enough to grasp... it would be nothing but sheer cowardice."
She will not stop. She knows, she's convinced herself, what it is that will make her happy. What will bring peace to her heart. It's the only thing she needs right now—and yet. And yet. There's more to it, isn't there? Because this blessed communion with her Lord is not the only thing that brings her peace. And pretending otherwise would be a big enough lie on its own to serve as the foundation of a brand new lyctor.
This conversation with this man before her, the one who behaves so naturally, who takes it all so seriously and still allows himself the chance to have fun with it, this eases her burden. She still churns and writhes inside of her own chest to think about everything too long, but she speaks with... she speaks with a human. Someone who knows what she is but is not what she is, someone who knows her Lord but is not bound by fealty to Him, someone who is unerringly direct with his goals whether or not he makes them clear. It is someone who exists outside of the Nine Houses who is willing to set down the Blood of Eden's weapons of eternal war and raise a glass in camaraderie instead. He has the freedom to be his own person, and he chooses to be this. To say that she is not worried is an understatement; to say that she is envious is only somewhat closer.
"Tell me about Tupile, then," she says after that prolonged introspection with her eyes in blurry focus around Paul. "Or wherever among your world is most interesting. If the man of the hour does elect to take his time, we can use it as we wish."
On the other end, John's face is something to behold. He murmurs a quiet lamentation to no one, that this is really very awkward; he rubs fretfully at his brow; he hits π.
It isn't difficult to find them. He can follow the black-hole burn of a Lyctor with his eyes closed, drawn unerringly to the reactor of a swallowed soul. Worse, they're singing drunkenly in a corner.
When John approaches, he looks as he has throughout January: vaguely harried, a nameless weight upon his shoulders, with one of his more rumpled shirts and no sign of cloak or crown. He did not expect Paul. The recognition shows in the slight balk, the way he slows before the table.
Paul does tell Apollonia about Tupile, that fabled world of exile where fallen Houses might flee under the stewardship of the Spacing Guild, forever exiting the great games of the Landsraad and Empire. One cannot, of course, explain the Spacing Guild without speaking of spice, that mysterious and powerful substance Paul had mixed into his drink, and one cannot speak of spice without speaking of Dune and the Fremen.
Fremen songs come in many forms, the heights of their art so beautiful and moving it can bring even the most jaded sophisticate to tears with yearning for a homeland lost forever in time. That is not the song Paul teaches Apollonia. The one he teaches her, composed in archaic Chakobsa, is a hearty, rhythmic song, its beat held in clapping hands and stomping feet. They get more than a few looks for it, sideways glances that only make Paul laugh like the fool he's becoming in Apollonia's presence.
When he sees John, he lights up, ceasing the song and sitting up straight (straightish) in the booth. He lifts his hand in a jaunty wave, grin crooked and easy.
And Apollonia, to her credit, attempts to listen and process it. But it's in the bridge there, somewhere among the proper nouns, that she accepts that she won't actually retain most of this. (But if she won't be around for much longer, maybe that's a moot point anyway.) It's when Paul gets to the Fremen songs that she finds herself in a place of unambiguous understanding again, and she's singing along with the alcohol bubbling in her veins and feeling, for the first time in far too long, truly at ease. It's impossible to tell what factors are in play bringing her there, but she knows that the storm in her heart feels unexpectedly calmer like this.
And then the man of the hour arrives, and she stops singing and fixes him with a look. It feels satisfying to watch him stumble like this, and a smile that is far less kind creeps to her face. "John," she says, smooth as a canine tooth. "I'm so very glad you could join us. You know Paul," and she gestures towards her companion. "I would apologize for not telling you he was here, but I simply didn't want to. Besides, John, I do want to talk to you."
She's laying it on thick, but choosing to attribute that to the alcohol. Maybe the real reason she'd never deigned to create a scheme against her Lord was because she was dogshit at scheming. "I've had some time to think things over since the last time we spoke. You remember, with the bookshelves." Apollonia steals a look towards Paul as though she'd brought up the whirlwind of explosions with him in the first place. "Come, won't you join us?"
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He says it like a joke, grin mercury-bright, and the light of the bar rakes blue shadows across his irises.
"And I have a place. It's not far from here, by Lantern, and it's secure enough." He's been left the keys to a veritable kingdom of boltholes and workspaces, and it's been reassuring to know that in another life, he would have kept up such good habits.
"You're clever yourself." He takes another sip of his drink, marvelling at a vessel not made to drink its own condensation. "I do know the other you. I'm fond of her. For her sake, I'd like to think of you as her kin...and for her sake, I'll tell you that you're only half right. I don't consider myself on the outside of anything."
He sets his elbows on the table and leans forward, at ease, centred in place.
"Invite him out to join us. He'll come if it's you." His smile closes, hiding his teeth. "Should we tell him I'm here, or let it be a surprise?"
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"I think it would be best to leave that as an exercise for the reader," she says, at least on the subject of informing her God that she will not be alone. "I would like to see the man sweat before we go forward with anything. But... one problem," she says, and holds up a finger.
With her other hand, she drinks her entire glass without showing herself to feel anything. She glugs it inelegantly—another unintentional echo, perhaps. And she rests her glass on the table again, and her hair covers her forehead in wisps. And there's a god-given smirk on her face now, like she's comfortable enough to loosen up. Like she's ready to leave the pretenses where they are.
"I will need to be very drunk to make that invitation. We have work to do."
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(What would he have thought of this, all those years and days ago, when he was young? Was this something he would have wanted? He thinks he would have: to be called in, counted among the adults. He was always so hungry for that.
But she never looked at him like he was all the way a child. She beheld him on a threshold. That mattered, once. Perhaps it still matters enough now.)
"Let us make it light work, then," he says, warm and sunny, "Do you remember how to play 'Never Have I Ever'? I could remind you, if you don't."
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She smiles like she believes herself to be the clever one now, and she draws her refilled glass closer to her with two fingers. "I do hope it's not too difficult for two people like us, Paul. With all the years we have behind us, it may be hard to find something we've never done." She leans forward, and the entire posture of this aberration against life and death at once shaves a myriad off her appearance. Her elbow rests on the table, and she tilts her head curiously, like she thinks she has something fun and breezy to start this game off with.
"Never have I ever mourned a planet."
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Then he laughs again, a bubble popping at the water's surface, and raises his glass to her in a toast before he downs it in a singular swallow. The ritual of the pour follows, his mouth pressing into a amused seam to hold in any further laughter - or, Heavens forbid, anything that might transgress over the line into a giggle.
"I wish you could meet my sister," he says, conversationally, mirroring her lean, "She'd have loved that...and speaking of - never have I ever communed with my ancestors."
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"Communion is a word with such a liberal concept behind it," she says. "But any way you use it is likely true. My ancestors are all the memory I would receive of the way the world used to be." The taste of the alcohol lingers on her lips under the tip of her tongue. Her green eyes nearly flicker as she takes her turn. "With that cheerful note in mind, never have I ever belonged among my peers."
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Family is often a difficult subject. Hardly anyone should know that better than him.
At this prompting, he rotates his glass between his fingers, sending a ghostly refraction of light this way and that over the back of his hand. The liquor stays undrunk.
"It's challenging, isn't it? To be an oddity of oddities." His attention slips back up to her, a thinned, tentative smile back in place. "I suppose it does depend on the peers. I've met a few of yours. I know we hardly know each other, but...don't think me too forward for saying I prefer you."
In all her jagged, human ugliness, with her raw and horrible need that dragged her out to meet a strange conspirator in a dead end bar at the end of someone else's world. She is a Lyctor, which means she is a monster, but she is, he thinks, the sort of monster he likes.
"Never have I ever..." He taps the side of his glass, one short, two long. "Never have I ever been certain I was doing the right thing."
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"I have no patience for the way they choose to conduct business, with their obsequious little lies pulling paper-thin covers over all manner of schemes to overthrow our Emperor, or whatever," she says, dismissing any true purpose with a wave of her hand. "I've only ever appreciated one of His remaining Saints for how unerringly direct she is. It is so refreshing not to have to wonder where I stand with someone for once."
She continues, her free hand making idle gestures in the air with her elbow resting on the table. With luck, it will distract from how un-drunk her latest glass is. (With a moment's thought to the words pouring from her own lips, she may realize it's not necessary.)
"And here I sit now, feeling much the same with you. I don't have to wonder if, in the end of this all, you're going to 'betray me', in whatever sense that matters. I don't have to wonder about whether you look at me like a true person or just a curiosity that should barely exist. I don't worry about much of anything, looking at you." There's a softness creeping in at the end of that sentence, like words that belong to a different part of Apollonia entirely.
"Never have I ever," she says slowly, smiling without teeth, "Looked forward to an evening this much before."
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Apollonia doesn't worry looking at him.
His hand is flat on the table. He feels its texture, the imperfections that mark it from construction and from wear. The world spins fast beneath them, but they never notice, hurtling with it through the dark. He knows the names of each of the muscles that are holding his eyes wide and his lungs still, but none of them are coming when he thinks of it.
"Now," he says, gently, "How am I supposed to come up with anything after that?"
The liquor hardly burns going down. This much, this quickly, affects even him. It's a creeping warmth in his fingertips, an almost uncomfortable fullness in his chest, the spirits calling up a spirit of his own.
"That's a good game. Do you want to play another?" Before he says anything else that changes her mind, or how she looks at him - before she says anything that changes his. "You pick, this time."
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So she answers his question in as sly a manner as she can. Her hair still mats slightly to her forehead, the alcohol filling her with a barely noticeable heat. She wipes her brow clean and reaches for her, or for someone's, omni with her other hand, then lays it flat on the table. "I know the perfect game, but we will need a third. Let's not take any longer, hm?"
Using the hard light projection of the keyboard, she types out a message to her God that retains its gravitas largely by the grace of autocorrect. My name is Apollonia, as it has ever been. Come to the bar, my Lord. I want to talk. And she gives Paul a chance to read it over; if he approves, she'll send it out immediately.
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He can smell her. It's not a sense humans often think about, let alone seek to hone, but he notices it now. She smells like the closed tunnels under stone. She smells like the end of a long stretch hunting, the suit-seals broken, the same-similiar mist of mingled moist breath.
"Perfect," he says, laughing, "'Come to the bar, My Lord'. Can you imagine his face?"
He slides the Omni back to her, lets her hit send, and then, without an ounce of decorum or sense, reaches over the table to bump her shoulder with his closed fist.
"Another drink?" He slumps back, hard enough to make a noise, and he's already pouring.
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And it doesn't take more than a couple seconds afterward to mirror the vibe of her companion's pose, if not the pose itself directly. It's relaxed in a way she doesn't allow herself; it's exposed. Her arms aren't crossing over her chest like this. Her brain has calmed as much as she ever allows it, the alcohol as Lethe to the constant chaos of memory. It's dangerous to be like this for too long, she knows, lest someone get the better of her. Lest she lose herself. But in the moment, she truly is not worried about Paul. She is not worried about her God. This will be... cathartic.
"We," she says with a wry look, "Are fucking under attack." There's the echo of something familiar inside Apollonia at that, but this time it's not a mindless reference but one of the many, many phrases considered sacred within the Nine Houses. (She was not there when they were codified, and yet she has lived with them for so long that it would be forgiven to think she had been.)
"I doubt He'll keep us waiting long," she says after another moment. "Now is the time for cold feet."
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"And walk out on you here? Banish the thought. Exile it - all the way to Tupile." He hitches himself up, palms braced on the table's edge. "I'd tell you that joke would be funny if you knew what Tupile was, but I'd hate to lie to you now."
This is what he's wanted, pent up inside his own mythology. Ease. Amicability. A world of people who don't know him as their messiah, who only see a man with dark, messy hair and a smile that he can allow to cant askew. He's as drunk on it as liquor, or even more so.
How could anyone not want this, once they'd tasted it? How could anyone let it slip from their fingers twice?
"But," he says, collecting himself, "If you've changed your mind..."
(Possibilities ripple. A left-hand path, one sidestep away, diffusing into a myriad of unknowns, but glimpses - startled black eyes, the coronal ring - warm brown hand curled tentatively around a clear glass - apprehension fading from the body, disbelief in the smile - a third player, a different game.)
"This is your dance. I'll follow where you lead."
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She will not stop. She knows, she's convinced herself, what it is that will make her happy. What will bring peace to her heart. It's the only thing she needs right now—and yet. And yet. There's more to it, isn't there? Because this blessed communion with her Lord is not the only thing that brings her peace. And pretending otherwise would be a big enough lie on its own to serve as the foundation of a brand new lyctor.
This conversation with this man before her, the one who behaves so naturally, who takes it all so seriously and still allows himself the chance to have fun with it, this eases her burden. She still churns and writhes inside of her own chest to think about everything too long, but she speaks with... she speaks with a human. Someone who knows what she is but is not what she is, someone who knows her Lord but is not bound by fealty to Him, someone who is unerringly direct with his goals whether or not he makes them clear. It is someone who exists outside of the Nine Houses who is willing to set down the Blood of Eden's weapons of eternal war and raise a glass in camaraderie instead. He has the freedom to be his own person, and he chooses to be this. To say that she is not worried is an understatement; to say that she is envious is only somewhat closer.
"Tell me about Tupile, then," she says after that prolonged introspection with her eyes in blurry focus around Paul. "Or wherever among your world is most interesting. If the man of the hour does elect to take his time, we can use it as we wish."
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It isn't difficult to find them. He can follow the black-hole burn of a Lyctor with his eyes closed, drawn unerringly to the reactor of a swallowed soul. Worse, they're singing drunkenly in a corner.
When John approaches, he looks as he has throughout January: vaguely harried, a nameless weight upon his shoulders, with one of his more rumpled shirts and no sign of cloak or crown. He did not expect Paul. The recognition shows in the slight balk, the way he slows before the table.
no subject
Fremen songs come in many forms, the heights of their art so beautiful and moving it can bring even the most jaded sophisticate to tears with yearning for a homeland lost forever in time. That is not the song Paul teaches Apollonia. The one he teaches her, composed in archaic Chakobsa, is a hearty, rhythmic song, its beat held in clapping hands and stomping feet. They get more than a few looks for it, sideways glances that only make Paul laugh like the fool he's becoming in Apollonia's presence.
When he sees John, he lights up, ceasing the song and sitting up straight (straightish) in the booth. He lifts his hand in a jaunty wave, grin crooked and easy.
"Teacher! You made it!"
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And then the man of the hour arrives, and she stops singing and fixes him with a look. It feels satisfying to watch him stumble like this, and a smile that is far less kind creeps to her face. "John," she says, smooth as a canine tooth. "I'm so very glad you could join us. You know Paul," and she gestures towards her companion. "I would apologize for not telling you he was here, but I simply didn't want to. Besides, John, I do want to talk to you."
She's laying it on thick, but choosing to attribute that to the alcohol. Maybe the real reason she'd never deigned to create a scheme against her Lord was because she was dogshit at scheming. "I've had some time to think things over since the last time we spoke. You remember, with the bookshelves." Apollonia steals a look towards Paul as though she'd brought up the whirlwind of explosions with him in the first place. "Come, won't you join us?"